Wednesday, May 13, 2009

Eurovision 2009: The Nice Semi-Final

I must say that RTP is very different animal than TVE. There’s what I would call a light-hearted seriousness to their news bulletin and overall presentation. There’s also no puff piece about Flor-de-lis, this year’s Portuguese entrant. 

Before you know it, we see a bunch of letters floating across Moscow spelling out the word “SemiFinal.” Then someone with a North American accent (and a lisp) tells us some story about two girls looking for flowers trying to find out how to fly. The tale goes on about a magic horse as cameras pan across the arena. Lo and behold, there are pyrotechnics. I am beginning to think that I’m in some sort of pre-show for an attraction at a Disney theme park.

Anyway, the firebird (this year’s sublogo) flies through the arena, lands and Natty & Andy enter perky as hell.

Andy screams the required “Hello Europe.” His accent is thick and his personality could become grating. Natty’s accent is also thick, they are like a really happy-go-lucky version of Boris & Natasha from Rocky & Bullwinkle. Natty stumbles on her French cue cards. Andy screams.

This could be a long two nights.

Montenegro: The postcards are a bunch of flying images of modern Russia. Andrea somewhat struts onstage while a male backing dancer gets flung by her. He is doing choreography straight out of  Saturday Night Fever (ballet edition). Strike that, the choreography for him seems to be shake butt and show armpit. I have to wonder about the staging here. Why one dancer? She could totally Ani Lorak this, but it looks very weak with only two onstage (plus backing singers). Best Montenegrin entry so far.

Czech Republic: More flying images and a Russian “Hi.” We go from Disco Fever to Comic Book Craziness. The lead rapper is dressed like a 70s Superhero, the rest of the band like Czech gangsters. This is a comedy entry and it does come across, and if I was under 13 this would have me in stitches. Interestingly, the “Parental Advisory” logo in the background. Portuguese commentator chuckles.

Belgium: Time for Elvis on Acid. I have to say this does come across better onstage than it did in its preview video. One thing I do notice while Patrick is groping his microphone, is how huge this stage looks. The backing singers and performers are working their butts off, while Patrick is not giving the full amount of crazy that the song needs. He also is incomprehensible.  Mr. Sexy em Portugues gives another slight chuckle.

Belarus: The postcards give virtually no time for the poor commentators to share the details. Oh good lord, the Belarussians are going OTT again. Petr strolls in while some painted woman stretches in front of a wind machine. He has a great voice, but is smiling from ear to ear when he should be looking serious. The backers and Petr are in two separate entries. Usch.

Sweden: I have no clue what on Earth these postcards are supposed to mean. Anyway, it’s She who beat out Alcazar. I do like the new staging and her voice is good, but the backing singers (Darja Svajger clones) and SWBOA do not mix well vocally or visually. The whole lot looks like Lady Godiva attended by High Street shop assistants. That said, it’s the best presentation so far.

Armenia: The sisters attack the stage before they even start moving. They are in folk dress with very striking eye makeup. They slink about while the female dancers kick and sway about. This is the first song that really hits me with its catchiness. Interestingly, the sisters barely move but they sing living daylights out of it. It’s also one of the biggest crowd reactions so far.

Ad break. I am dying to find out what horrors Natty & Andy are inflicting upon Europe on networks without ad breaks. RTP promos soap operas very strangely. I thought they had switched programmes by accident.

Andorra: Cuteness overload with a guitar is what happens when Denmark meets Andorra. Susanna is assisted by an assortment of Lindsay Lohan & Lady GaGa clones. It’s very simple staging and therein rests its appeal but also might be its downfall. Nonetheless, I reckon Susanna might very well take Andorra to the final. Good audience reaction.

Switzerland: The lead singer struts onstage and proceeds to develop back trouble and one rough voice. OnEurope had mentioned that he’s performing to the audience in the arena and not so much the one at home and it’s apparent. The rest of the band are miming their butts off though. Fortuntately when they hit the bridge, they make up for the dodgy start and middle. Sadly, I don’t think being between Andorra and Turkey is going to help them.

Turkey: And now the Turkish-Belgian answer to Jennifer Lopez. I hadn’t really paid attention to this song, but I have to say Hadise is giving it her all. It’s more sensual and less desperate than Everyway That I Can. In fact it’s like someone crossed La Ryan with L”Erener and added a bare chested male dancer doing somersaults. Not too shabby. I think if the competition was weaker in the final, I’d call it for Turkey.

Israel: Noa & Mira attack the stage and via very dramatic and theatrical choreography do pretty good job. Although I think the bongo break is a bit too much, it is brief and the message comes across clearly.

Oh crap, it’s Natty & Andy. Natty alternating between bimbo and humourously blasé. Andy: still annoying. They cut to the very handsome and competent Greenroom reporter, Dmitry, who should so replace Andy.

Bulgaria: Krassy & Co. are keeping up with the medieval theme from the preview. He’s very good looking, but his over-emoting and the hilarious bouffants of his backing singers make this entry unbelievably campy. As if that was not enough, there’s a couple dancing on stilts behind them. This might get through for comedy though. Good god, these backing singers don’t sing inasmuch as screech like cats in water. Audience stupefied…including myself.

Iceland: Even though I don’t think much of the song, Yohanna’s very nondescript ballad now stands out after the Bulgarian excess. It’s basically her in a powder blue prom dress pondering truth. In fact the whole staging could be from any 1980s teen movie’s dance scene. Audience caught up in the song. Me…I get the appeal.

Macedonia: Back to excess. Note to Next Time: look up the discography of the Japanese rock duo, B’z for how to update your sound from the 1980s without losing your roots. Good grief, the lead singer thinks he’s Robert Plant, unfortunately he’s Billy Squire. Even worse, a Billy Squire imitator. He even lays down on the floor with his Poodle Hair self. It really comes across as dated and pointless. Portuguese Commentator unimpressed. I must look him up.

Romania: A bunch of smoke and dancing girls announces the arrival of Elena and her vapid Balkan Girls. The song is rather funny from a lyrical standpoint as it is basically Elena having a bit of identity crisis between being a party girl and trying to become a woman of substance. Does this come across in the staging? No. In fact, it’s like a really poor copy of what Kalomira did last year. The dancers do an excellent job though, and Elena is a great singer, but she does not get this song.

Finland: Oooh a fire dancer? Oh, two?! Nice. Well, the trio of women singing do an amazing job, but the rapper is in poor voice or at least not doing his fair share of lifting. Does this song seem a bit Swedish to anyone else? The song is missing an extra bit of oomph, but the audience gives it a good round of applause.

We get a glimpse of Dmitry and then RTP remembers they have an ad break where they talk about the Ceremonies from Fatima. I don’t care about some miracle, I want my Dmitry fix!

Believe it or not only 3 songs left.

Portugal: RTP comes back just in time. The stage is psychedelic which kind of works since this is a bit of a “flower child” song (pun partly intended). Flor-de-lis do a pretty good job, and the lead singer is in great voice. It’s a very cute song and I think this might be a year where being cute pays off as opposed to being OTT. The singer wipes a tear from her eye and that little gesture might get them into the final.

Malta: Will it be third time lucky for Chiara? She’s certainly in way better voice, and I’m just glad she’s gotten some extra bpm to this song. She’s also really working the camera as well, even down to head tilts. The only problem is that the song sounds like it is going to build and then it just…ends.

Bosnia & Herzegovina: Now the lads at OnEurope are saying this is going to win the Semi by a mile. Let’s see. The stage starts out very red and the band (plus drummer dancers) are working every last Leija angle down from stern faces and theatrical choreography. Oh boy, one of the drummer/dancers is waving a red flag. If they were wearing green one would think this was working a Communist revival. It’s impressive, but I don’t know if it’s a blowout for Bosnia.

Natty & Andy get all happy and perky to the point that I wonder if there is some magic powder hidden underneath their outfits. They press the magic button to kickoff the voting. These two are manic as hell.

Recap: Montenegro is a missed opportunity with armpits…Czech Gypsies go for comedy and succeed minorly…Belgium is Elvis ’78…Belarus is overwrought without realizing it…Sweden is better than I thought but the bar wasn’t high to start with…Armenian sisters kick ass and take names without moving…Andorra is unbelievably cute...Switzerland thinks its Lollapalooza not Eurovision…Turkey is sleek and precise…Israel is poignant without being overwrought or depressing…Bulgaria is lost in the Dark Ages…Iceland is competent and vocally strong…Macedonia thinks it’s 1989…Romania is nondescript and I really think she needs to look at all the lyrics…Finland tries to out-Swede the Swedes…Portugal is cute, trippy, and endearing…Malta aims high but. Just. Misses. It…Bosnia gives us Leija Part 2, and it’s not quite up to the original.

Natty tells us we have friends in Moscow. I can think of 4 Georgians who won’t get that reception.

We get a recap of Russian victories on the world stage: Dima “You Must Love Me” Bilan winning last year, the UEFA cup, Miss World, etc.

Andy yells something incomprehensible that I think was in English. Natty is indeed coming off better than him, even when she acts airheaded about her dress and stumbles in French.

Another recap of the songs: My opinions stay the same, save for the fact that Petr might not be as overwrought as I thought previously given Krassy & the Bouffants and Regina. Dancers on stilts, people!   

By the way, during the show RTPi has been scrolling messages to the Portuguese diaspora across Europe. I think Portugal is getting through.

 

Natty & Andy go in the crowd. The crowd pretty much ignores them as they do the countdown to the end of voting.

I grow ever more unnerved by how these two will drag out the announcement of who gets into the final.

Ad break. RTPi gives us lessons in the development of the Portuguese language. Who knew that “assassin” comes from those who smoked hashish?

As I see it, I see Israel, Portugal, and Turkey as the only near dead certs to make it to the final. BiH might. Finland might. Andorra might. Iceland might. Armenia might. Malta might. That’s 3 strong contenders, 6 possibles, and the only real wildcard I see making the cut is either Montenegro or Czech Republic. And yet, I wouldn’t be surprised if Belgium gets in.

Natty & Andy are still screaming in the crowd. Natty is trying to maintain some composure. Andy isn’t even trying. They give us a preview of the finalists: Patricia does a killer job for France…Anastasia mumbles about her mother for Russia…Germany and its tale about international male prostitution…Jade knocks it out of the park for the UK…Soraya struts her stuff strongly for Spain (TVE-I ought to be really interesting to watch on Saturday).

Ahh…Dmitry. You will truly make these semis bearable whenever the performances aren’t on.

Natty & Andy look stupefied for a second before calling on Daddy Svante to give the result.

Portuguese commentator is getting excited.

Turkey gets through. Andy screams. Portuguese commentator still excited.

Sweden gets through. I’m shocked. Andy screams again. Portuguese commentator getting slightly miffed.

Israel gets through. Crowd goes wild. Andy still screaming.

Portugal gets through. Portuguese commentator excited but composed. Natty wants to strip.

Malta gets through. Portuguese commentator still excited, but I reckon he doesn’t care now that Portugal got through.

Finland gets through. Phew. I’m happy. Natty & Andy argue about pushing the button to open the virtual envelope.

BiH gets through. 3 spaces left.

Romania gets through. Portuguese commentator & I ponder how that happened.

Natty & Andy act drunk…although I think they may not be acting at this point.

Armenia gets through. Thank god for that.

Andy gets hoarse. Natty prepares to renounce her citizenship.

Iceland gets the final place.

Well, that was not as much of a bloodbath as I thought. Portuguese commentator quickly regains his composure after excitedly mentioning that Flor-de-lis made it through.

The only shockers for me are Romania and Sweden getting through. I reckon one of them has to be the jury choice, and both are likely contenders for that crown.

The real fun will be in Thursday’s semi and Saturday’s final where 3 of the Big 4 could possibly win the lot. 

Eurovision 2009: Day/Night One The Review Pre-Show

I almost can't believe it's here already, but yes, today is the first semi-final for Eurovision 2009.

I will be covering it "live"* as per usual, and for my final Eurovision in USA post, I'll be watching it on not TVE International, but on RTP Internacional. I've swapped Spain for Portugal. I have no idea what to expect commentator-wise, I don't think RTP will have the droll and slyly sarcastic commentary that TVE has, but one holds out hope.

* In other words, unedited, but the post will go online around primetime EDT.

Sadly, I don't see TVE-I airing the 2nd semi, so it'll be online fun on Thursday.

And apparently Pooty-Poot's Sing-a-long organisers announced hosts.


The semi-finals will be presented by Natalya Vodyanova, a model, and Andrey Malakhov, who is touted as "one of the most stylish presenters on Russian television" (based on that picture at Eurovision.tv, the bar is very low). I think Natty & Andy will be their nicknames, and I have suspicion that Natty will probably do a better job than Andy. 

The final will be presented by Alsou (who represented Russia in 2000 with the Britney Spears-esque Solo, and got an ultimately well-earned 2nd place) and Ivan Urgant, who is an actor and presenter (mostly labouring on some real pulpy shows, judging by his bio, but he has a good picture, and Russian ego is at stake here, so he must be something). I'm think Al & I for nicknames, but I may have to resurrect Will & Grace...because I just have a hunch they will be the Russian counterparts to Maria & Sakis. 

Finally, instead of coming up with a top ten or so, I'm just going to list the ones I hope qualify:
  • Montenegro
  • Switzerland
  • Armenia
  • Finland
  • Andorra
You can watch the show online at eurovision.tv.

Happy Eurovision week.





 

Monday, May 11, 2009

A Kiwi Rainbow

I admit that I'm quite keen to poke fun at the Kiwis, but I also have no trouble praising them either.

For example, Tamati Coffey, the out (and quite handsome) co-presenter (think Al Roker and less Matt Lauer) of TVNZ's Breakfast, has won NZ Dancing With the Stars. His chosen charity? Rainbow Youth, an organisation helping gay youth.

Since Coffey's win, the charity's website has experienced a major jump in traffic, and hopefully in donations.

Alas, I suspect the days of seeing something akin to Coffey's win and endorsement of a gay youth charity here in the US have yet to come. (I'd suspect Australia would not be that much earlier either.)

Et tu, Sam Champion & Robin Roberts?*

* And ABC is considered one of the gay friendly networks. Well, quite frankly they're all gay friendly save for NBC.

Sunday, May 10, 2009

Believe it or not: Eurovision Week is Next Week

Be very afraid.




Ukraine isn't interested in winning, they just want to outdo Russia, which will not be an issue this year.

Friday, May 08, 2009

Morning Show Presenters Gone Wild

One thing I have come to appreciate about Australian media is that the networks only just barely try to hide their contempt for one another. (As opposed to here in the US where the modus operandi is to ignore each other's existence publicly beyond the phrase "another network.")

Case in point: The recent "Was Karl Stefanovic Drunk on Today?" kerfuffle which appeared on Seven's Today Tonight recently.

Some background: Today airs on Nine and is the former morning show ratings champ. Its arch rival is Sunrise (which is affiliated with NBC's Today Show--just to confuse matters) which airs on Seven. Think of this story as if Dateline covered one of those Good Morning America Ken dolls slurring their words the day after the Emmys. Yet I don't think that even Dateline would show their fangs as much as Today Tonight does.



For the record, I think he was drunk...no matter what he says. It's like he's the reverse of Tsuyoshi "What's Wrong With Being Naked (and tweaked)?" Kusanagi"


Tuesday, May 05, 2009

Fringe Benefits

Fringe has survived its first season and will battle on again, according to Tim Cuprisin of The Journal Sentinel.

NBC plays coy with their new lineup

I've said this before, and I'll say it again, "I have no idea what on earth is going on over at the Peacock."

They have not completely finalised it (because honestly drawing out suspense is easier than creating decent programming), but the lineup includes:
  • Heroes
  • Southland
  • that anemic Amy Poehler sitcom
  • 6 episodes of Saturday Night Live Weekend Update Thursday (trying see if that magic works without a national election)
  • a show about paramedics in San Francisco (but Peter Berg is behind it, so it might not be woeful)
  • another attempt to turn the 1989 film Parenthood into a television series (previous attempt in 1990)
  • a limited run series about a post-apocalyptic Earth.
  • a sitcom about a dating coach who has her own dating issues. (Miss Match redux)
  • a sitcom set in a community college with Joel McHale and Chevy Chase. (Mmmm...C-list.)
  • Jay Leno's pitiful refusal to go into that dark night of retirement.

Law & Order: SVU is back, although it's still up in the air if Meloni & Hargitay will be back. Friday Night Lights, The Office, 30 Rock, and The Celebrity Apprentice(?) are also returning.

They won't talk midseason shows because that would hurt Jay Leno's feelings...or they just don't have a sodding clue about those either.

For a less cynical view of the new NBC lineup, you can read the AP article on MSNBC's website or go to NBC's fall preview minisite for full-on boosterism.

Monday, May 04, 2009

Hear Hear!

Switching to matters Australian for a bit today, yesterday the Logies (Australian Emmys) were held.

Amongst the winners were Gyton Grantley & Kat Stewart who played mafia king & queen Carl & Roberta Williams in the first season of Underbelly. Well deserved, in my opinion.

I find Kat Stewart's statement hopeful:

The thing about Underbelly is that it has reinforced that Australians like Australian stories, and they like them to be told well.

The key word being "well."

Sunday, May 03, 2009

TV Show Deathmatch 2009

Yesterday, the Daily News's David Hinckley gave his picks for which shows should make it to next season, and which ones shouldn't. I agree with many of his picks, particularly in respect to keeping The Unusuals, Better Off Ted, Everybody Hates Chris, and Castle. I'd also add on a few more.

Save:
  • Ghost Whisperer: The only disagreement I have with Hinckley, who called it pass its freshness date. I think it's got one more season in it. Killing off and "resurrecting" Jim (David Conrad) has livened up his character beyond the mere sympathetic husband archetype. That said, I just get the feeling that Conrad wants to switch from regular to recurring. The addition of Jamie Kennedy has also helped the show, mostly because you don't get the same potential love triangle setup they were trying to do with Jay Mohr's professor.
  • The Game: I stumbled across The Game when BET started airing episodes midday, and I think it's got a very good premise. The only problem is that over 3 seasons now, the show still feels like its trying to find its direction. The writers keep bringing together and breaking apart the central couple of Melanie & Derwin, and putting the focus on their relative immaturity. This may be what it's like in the real world, but for a primetime sitcom, it just drags. I also think that they are ignoring real comedic skills with the supporting cast (especially Wendy Raquel Robinson and Coby Bell). According this article, the creator is considering saving the show by turning it into an hourlong comedy-drama (The CW is apparently trying to make their whole slate of shows hourlong dramas). I don't think this is a good idea on The CW's part nor on [creator]Mara Brock Akil's. I'd suggest focusing more on the comedic side and leaving it as is, just to have some genre diversity on The CW. If that's not possible, I'd try to move it to BET for one or two more seasons.
  • Without A Trace: CBS has basically created a Cold Case vs. Without A Trace situation due to the economic climate. I'd rather both stayed, but if there has to be a cut, I vote Without A Trace, which has one of the best casts on television, and manages to have a procedural show with actual character depth and back story.
  • Fringe: It seems like the show is actually getting somewhere (as opposed to the early episodes where it was more shock and awe as opposed to story), and I think it deserves another season. I do think though that the premise might not last more than one or two more seasons.

Axe

  • Cold Case: Some people like those ending montages, but I'm not one of them. I think the show needs to get a touch grittier and less PG, more PG-13. It airs at 9 pm (ET), you don't have to be that wholesome. (Though again, I'd rather see it survive, but not at the expense of Without A Trace.)
  • Gary Unmarried: Just basically a poor retread of Everybody Loves Raymond.
  • The majority of NBC's programming: I don't know what they're doing at the Peacock, but the Law & Order family is about all they've got going for them these days.

Friday, May 01, 2009

The May Day 2009 Post

Actually a map. Just something to think about this May Day/Labour Day.


There will always be the rich and the poor, but there is no reason that profits by one should always result in endless poverty for the other.

The graph appears on the BBC News's website as part of an In Depth report on Globalisation. This is from the sidebar to the graph:

The world distribution of wealth and income is highly unequal. The richest 10% of households in the world have as much yearly income as the bottom 90%.
Wealth - total assets rather than yearly income – is even more unequal. The rich are concentrated in the US, Europe and Japan, with the richest 1% alone owning 40% of the world's wealth.
Poverty, on the other hand, is widespread across the developing countries - which have five-sixths of the world's population. But it has fallen sharply in China.

Kusanagi-gate: A Catchphrase Will Set You Free

Japan's already catchphrase crazy media culture can add another one to the list:

What's Wrong With Being Naked?

The slogan has already been transferred to t-shirts and is selling quite well, according to Reuters.

Club T can probably take all of those profits for themselves as Johnny's is unlikely to ask for a piece of the pie, because it just wouldn't look right. (They are in ignore it--and ignore Tsuyoshi--mode at the moment.)

Meanwhile, Tsuyoshi gets all charges dropped (even with a blood alcohol eight times the legal limit)* because the police felt he was sorry enough...and he has fans rabid enough that they would threaten to attack the station and bust him out.

Happy May Day.
* and I still think he had some additional chemical aid.

Good luck, Wisconsin

I guess Public Enemies must be a better movie than Australia, because apparently Wisconsin's Department of Tourism, and the ones from the other nearby states (Illinois, Indiana) plus one that may make sense to Dillinger history buffs (Arizona) are banking that people are going to be dying to see the locales featured in the film.

It may be good, it may be bad, but after the Australia debacle, I can't help but be a bit cynical.

The Goodbye NYC, Goodbye USA Theme Festival: Day Three

Despite traveling to New York City frequently since my toddler years, I reckon that the real inspiration for moving here was not for theatre, not because I saw Seinfeld/Sex & The City/or even Throb, but because of MTV's Street Party.

How I stumbled across Street Party is mostly because I outgrew ABC's lineup of syrupy sweet sitcoms on Friday. (Full House, Family Matters, etc.) I wanted to feel a bit more sophisticated and hip, and a 2 hour block of dance music certainly fit the bill.

I don't know if this was the first ever video I saw on Street Party, but I certainly remember it like it was.





I know that time moves forward, but if I have nostalgia for any period of time, it was for the early 1990s (1990-94), at least musically. It was a time when dance music had old school rap, the big dance producers, and the beginnings of what would develop into today's electropop.

The funny thing about nostalgia, is that you can start colouring everything differently just because of the passage of time. Take the classic Pump Up The Volume. When it first came out, I thought the video was dull, and the song just kind of dragged. I see it now and I remember being back in the living room of my home dancing, because it's Friday and the weekend was just starting.






I still never bought the single though. A single I did buy and played to death was Everybody Everybody.

The US didn't get that flower happy version. No, we got what I will go on record (no pun intended) as the fiercer of the two. We got the Le Freak mix.





When that whole scandal came out about how Loleatta Holloway's vocals were used by both Black Box and C+C Music Factory, but not "visualised" by her, my little 11 year old self was just stunned. I truly think Katrin sold Everybody Everybody like nobody's business. To this day, whenever I try to do stare someone or something down I think of the way she mouthed "ow" at the beginning of the video.

As for C+C, I did not care all that much for Gonna Make You Sweat, but Do You Wanna Get Funky (which featured Loleatta finally getting her due) will always be killer in my book. It was a damn shame that the video never got as much play as I think it deserved. (But hey, it was 1994 and we were about to become a flannel nation.)




It's rather remarkable the songs that have stuck in my head from this period, but I suspect that it is mostly due to the fact that from 1988 to 1994, dance music was an escape for me. It took away a lot of the isolation and conformity that surrounded me in Wisconsin and gave me 4 to 6 minutes in my own personal Emerald City.

Note that I definitely am saying dance music instead of house, because at this time you did have danceable rap, which is damn near non-existent these days. I regret never being in a club when this song came on. (He name checked Lanie Kazan!)





I may go to hell for suggesting that this is dance rap, but I'd put Slow Down in this category. (Years later, I used to love saying "smack you with hose full of sand.") The message of course totally went over my head as a preteen.





And of course, Kid'N'Play (their cartoon on NBC aired once in Milwaukee before being pulled).





Martin Lawrence owes them. Big Time.

One last one, because it would be a sin for me to not include some Bobby Brown. (This video, along with Jane Child's I Don't Wanna Fall In Love contributed to my view of New York, and why I was somewhat dismayed to find post-Giuliani NYC so anti-septic.)






I could seriously dwell on this period for nigh on an eternity, but it's time to bring today's edition to a close.

Closing out today is Vanessa Williams, who in the late 1980s pulled off the greatest career resuscitation that I can ever recall. (I was also too young when the photos came out for them to even register in my mind. So she's always been a singer/actress to me.)

Her ballads are still played often these days, but I think her dance songs were pretty impressive. Hopefully she'll release some more one day.









Next time: Theme Songs A-Go-Go...and Grunge, plus the finale.

Thursday, April 30, 2009

The Goodbye NYC, Goodbye USA Theme Festival: Day Three Entr'acte

Two enka performances from this past year's Kouhaku. One very emotional. One extremely campy.

First, Jero performs Umiyuki (and yes, I got a little misty watching it the first time)




Secondly, Kiyoshi Hikawa closed out the show with his verging on irritating, but still catchy Kiyoshi's Zundokobashi with some of the most OTT backing dancers/shouters I've ever seen.

Kiwi Klip Kraziness

Making news in New Zealand...

On TV3:

On TVNZ:

One has to wonder what substance yielded that proverbial long, white cloud.

Kusanagi-gate: Blame it on the...al..al..al..

Granted the Tsuyoshi Kusanagi story has mostly disappeared from the global stage, but I found this article from Kyodo News rather interesting (plus, it's Showa Day):

His lawyer, who also attended the press conference, stressed that he has no memory of the incident, but probably ''felt high for some reason'' after drinking and stripped naked at a central Tokyo park in the early hours Thursday...

...Kusanagi said that he had once stripped down to his shorts at his home when he was drinking with Shingo Katori, another SMAP member, but had not stripped naked in public...

...Asked how he will handle alcohol from now on, Kusanagi said, ''I don't feel like drinking at all now'' but added that he hopes one day he can enjoy drinking ''as an adult.''

First, I think Shingo & Tsuyoshi might have some sort of A Separate Peace thing going on. He was screaming out Shingo's name on the night he supposedly drank all the al..al..al..alcohol. (Apologies to anyone who doesn't have Jamie Foxx's Blame It running through their head the way I do at the moment.)

Secondly, drinking to the point of near nudity? The armchair therapist in me says that's verging on repressed desires. It's clear he was frustrated.

Third, I don't think it was just alcohol that made him do it. The man is 34, and in one of the most successful boybands of all time. He's been around some chemical substances of dubious legality, and closed blinds cover most lies.

Japan being the way it is, it's unlikely the full story will ever come out.

Wednesday, April 29, 2009

Wednesday Jukebox: Goodbye NYC, Goodbye USA Theme Song Special Edition

I truly laboured under the belief that Japan managed to escape the teased and permed look of hair rock, if not the sound.

Apparently not as the HIPS collaboration Let's Soar Through The Night proves. (Look for Keiko's fake tattoo which is very...um...skankalicious for its time. So was Keiko herself, at least in terms of performing.)




I'll admit that there might be a cultural difference, but should the opening to a children's action cartoon have lyrics about spending the night together, having a license to live, and doing things for the sake of thrills? It's pretty clear they're not talking about playing with Hot Wheels.



Catchy tune, although it's not as good as the first opening, Don't Look Back (video featured here in all its 80s glory) .

Tuesday Jukebox says "Encore"

A special encore Swing Out Sister performance. This is one that must be heard to be believed: Now You're Not Here blending seamlessly into No Scrubs. (Yes, that No Scrubs.)


The Goodbye NYC, Goodbye USA Theme Festival: Day Two

As Day One illustrated, there's a bit of irony in the Goodbye Festival songs, in that the vast majority are by non-American artists, much less ones that are New York-based. Well, my countrymen will get their day, but for the moment, we're going to keep that non-American theme with today's featured artists: Swing Out Sister and Pizzicato Five.

It was only recently that I came to the conclusion that Pizzicato Five & Swing Out Sister are relatively similar, and have an almost symbiotic relationship in my mind. Pizzicato Five is basically Swing Out Sister if they had continued down that pop pathway and not switched to jazz/soul back in 1992/1994.

But I'm getting ahead of myself. Swing Out Sister's It's Better to travel was one of the first albums I remember buying. Everybody knows Breakout from that record, but I found the subsquent songs much more exciting.





Their second album, Kaleidoscope World was even better. Since the videos didn't make major inroads onto US television, my memories of the album are almost completely linked to listening to the album in my Walkman on the way to the airportItalic. (Nearly all the time I was on my way to New York.)









Given my profession, it's odd that Swing Out Sister has no real lyrical hold on me. Quite honestly, lyrics are not their strong suit. They are a bit like Audrey Hepburn in Breakfast at Tiffany's, not meant to be deconstructed, but merely enjoyed.

SOS undertook a stylistic change in 1992 with the album notgonnachange, which I'll admit is not my favourite, although jazz/house/pop would probably leave me panting for more today, at the time it was released I was 13, overweight, awkward, and feeling relatively down on myself. (It's amazing I didn't go completely into grunge during the 90s.) The last thing I probably wanted to see was a happy boho Corrine Drewery dancing in some pastel town. Yet, I remember cracking a pleasant smile the first time I saw the video for Am I The Same Girl? So perhaps it was just what I needed.

Roughly around the same time that Swing Out Sister decided to confirm their new sound with The Living Return (the lead off single, their cover of La La (Means I Love You) had one trippy video, but I didn't see it until years later.) Pizzicato Five started appearing in the US music shops. It was like kismet, the same cosmopolitan image of Swing Out Sister combined with 1960s pop influences and in Japanese! (Which meant that I could make the song mean anything to me, since my Japanese was--and still is--not entirely fluent.)









They were definitely a niche band in the US--this was the mid 90s, remember, and got next to no play on MTV which was grunge to the core. I actually was partly on the grunge bandwagon (mostly due to Soundgarden and Soul Asylum), but Pizzicato Five became my "rebel music." While all my classmates were driving around listening to whatever flannel-clad band held the top 40 spot, I was listening to P5 and their poppy music.









(Did one of the chefs in the last video look like Takao Tajima to anyone else?)

Pizzicato Five is also associated with a recent darker period in my life, albeit indirectly. Akiko Wada covered their song Triste (悲しい歌 or "sad song") sometime ago. During a particularly low period, I attempted suicide and had put on my mp3 player to try to enjoy what I thought were the my last moments alive. Well, Triste came on and I found I couldn't go through with it. I don't recall a lot of detail as to why, but what I do remember is hearing her sing the song as if issuing a challenge to any and all who tried to keep her down.





I don't necessarily think I would've gotten the same umph from the original version, though it's pleasant in its own AM radio easy listening way.





For today's closing video, we go back to Swing Out Sister. Their 1997 album Shapes and Patterns coincided with my graduation from high school and from Wisconsin. The lead single Somewhere in the World became my own personal theme for moving on into the great unknown. It still is today.



Next time: H.O.U.S.E. N.Y.C. (and London)

Tuesday, April 28, 2009

But It's Still New Zealand...

Reading through today's Age, I discovered that apparently there's been another one of those World's Most Livable/Quality of Life City surveys, and the results are now out:

Sydney placed 10th. (Still too spread out for me.)

Melbourne placed 18th. (Ouch!)

Perth placed 21st. (Where?)

Adelaide placed 30th. (again, where?)

Brisbane placed 34th! (must be all that corruption).

But the real kicker is that Auckland placed 4th. (And Wellington placed 12th!)

New York placed 49th.

I truly wonder what is their criteria. I know this survey is mostly interested in sizing up each city for the sake of ex-pat workers, so the cheap cost of living might have sent Auckland higher up the charts, but it. is. still. NZ.

A country where coverage of what happens elsewhere garners more coverage than anything that happens inside its borders...mostly because nothing happens there. The local section of the Milwaukee Journal Sentinel makes Milwaukee sound more titilating than the National section of the NZ Herald does for the entire country of New Zealand. (You can almost sense that they're glad there are a couple of Swine Flu cases in NZ, so they can scream "we're relevant!" to the rest of the world.)

TVNZ's coverage of the rankings is noticeably modest, although one could read a bit of Trans-Tasman smugness into it, somewhat.

Every little bit helps

Some time ago I mentioned that Ariel Aparacio's cover of Pretty In Pink.

Well, it has come to my attention that until April 30th. 54 cents of every download will go to the Susan G. Komen foundation for the cure for Breast Cancer.

Frequent readers know that I have had several close family members affected by this disease, and I cannot emphasise enough how important it is that we work hard to find a cure.

Please, if you can, download Pretty In Pink.

Every little bit helps.

The Goodbye NYC, Goodbye USA Theme Festival: Day One

Opening the festival is Original Love (which is effectively just one man, Takao Tajima). If the sound reminds you a lot of Pizzicato Five (who are later on the lineup) , it's because he used to be a part of Pizzicato Five before going his own way.

This is the video for Seppun (Kiss), which was later covered by Mika Nakashima in a reggae style. I'm more partial to the original.




Now the video and the lyrics remind me of two different things. The video with its shaking camera shots make me think of the frenzied action I thought I would see and be a part of. Yet, when you watch it you notice that TT is basically on his own (assuming that he's not singing to the person behind the camera, which I don't think he is). The interesting thing for me is that he's seemingly content (almost serene) being an observer.

However, the lyrics on the other hand speak of longing and unfulfillment. The kiss that he shares "each time" is not necessarily with the same person. That was my interpretation. Lyrically, Seppun reminds me of my dating life, as New York more than anywhere I had been previously, was where I discovered that I had a romantic side, and every encounter could potentially lead to something deeper...even if it was for just a moment in time.

And as for the line about "a naked body being cold and irritating," well, we've all had some one-night stands that have gone awry...I hope.

Next up is MISIA's (expect her to be featured a lot) Escape.




Now this is an interesting one. It's not so much the lyrics, but the combination of somewhat New Jack Swing beats and avantgarde artistic mise-en-scene in the video that get me. I moved to New York for grad school, and this completely reminds me of Columbia, which seemingly stood out from its surroundings, yet was totally and thoroughly was a part of the neighbourhood: khaki socialists, neo-bohemians, and homeboys all co-existing.

Now chornologically, let's go wayyy back with Monie Love's It's A Shame.




This song kicked off my interest in funk music back in high school, because I was totally in love with the sample from The Spinners. I have yet to hear anyone but them do more than an adequate version of It's A Shame, and even The Spinners themselves aren't easily hitting those notes these days.




Next time: Swing Out Sister and Pizzicato Five.

Closing out today, however, are the 1979 & 1980 opening themes from Lupin III, which are the first really just flat-out cool opening sequences that I ever saw, and ultimately became the basis of my visual sense as a scriptwriter.

Lupin '79



Lupin '80 (the best Lupin opening ever)

Monday, April 27, 2009

And we begin with the ending to end all endings

For the classic anime fans, or those who just like a good overwraught and melodramic space opera ending, here is the classic ending to Final Yamato. Make sure you have a good 9 minutes spare as this is one of those rare sequences where nearly every thing plays a role in establishing the emotional impact, especially in regards to sound. Whether you know the story or not, it's some pretty heavy stuff.




This sequence is my way of announcing the beginning of the Goodbye New York City theme festival here at this corner of the internet. Not that I consider New York City to be a revived WWII cruiser going bravely into the murky abyss, (even the Yamato got a happy alternative ending) but rather that my period here is coming to a close, and transitioning into somewhere else.

Periodically over the next few weeks, I'll be posting assorted music videos, Opening/Ending sequences, and other musical things that I feel express directly or indirectly my experiences here as one blip in the water that is the sea of New York City for the past 8 years.

I invite all who read this to share and comment with their own stories and clips (preferably musical in nature).

Sunday, April 26, 2009

Rational thinking leaves WNYW

Firing Mike Sheehan might be somewhat justified--emphasis on the somewhat, but expanding Good Day New York by an hour and turning that extra hour into a near copy of the Today Show's 3rd hour?

D.U.M.B.

Plus while I have always joked that Mike Woods was a telegenic Al Roker, they are actually trying to make him into the Weatherman/Reporter/Co-Anchor that Roker actually is.

And has anyone over at WNYW been looking at their ratings for GDNY? They aren't the kind that scream "the audience wants more of this."

Saturday, April 25, 2009

You Cannot Have It Both Ways, Hughie

Hugh Jackman makes his latest "I'm not gay" statement (to Parade, of all magazines), and winds up slightly putting his foot in his mouth:

Jackman also said he was uncomfortable denying he was gay.
I'd be happy to go and deny it, because I'm not, he said.
But by denying it, I'm saying there is something shameful about it and there isn't anything shameful.

That's when you say "none of your business," Hugh.

I appreciate his latter statement, but it does goes against the one before it.

In addition, his statements about mixed-race babies does have a bit of condescension to it, at least in my view.

I don't think people should be feted for doing the right thing.

Friday, April 24, 2009

Friday Jukebox SMAPs Nostalgic

It seems appropriate (and well, nakedly opportunistic, pun intended) to use the Crunk Kusanagi story as a chance to have another SMAP anthology jukebox.

Here is a clip of SMAP "performing" a "Disco" medley (disco in the European sense of term, US: techno/dance) of their hits last year (including $10, which is rather funny in lieu of all this lost income) . I still find it odd and a little bit sad/pitiful that they all look a bit dead in the eyes. Then again, most of these songs they've been singing since at least 1996, and a bunch of Para-Para dancing girls (and annoying DJs) would make most people feel like getting out of there ASAP.



Going a bit back in time, here's SMAP performing $10 as well as some other early SMAP hits back in their early days, when they had 6 members and performed in outfits from a Chippendales fire sale. (Don't even get me started on Scarface Groove with lyrics like "ebony girl" and "sissy cop.")



One of my favourite SMAP songs--and also one that might've been running through Tsuyoshi's mind a few nights ago--is Shiyouyo (translation: Let's Do It). Jazz fans and Cole Porter fans, guess the well-known song that Shiyouyo borrows heavily from. Serious Eurovision fans/aficinados guess which 1970s UK Eurovision entry Shiyouyo also sounds similar to. (Hint: the lyrics and title of that Eurovision entry could very well describe Tsuyoshi's state of mind at the moment.)



I don't know what excuse Johnny's had for Katori's outfit, but he looks like a man wearing a see-through poncho.

Sell Those Photos, Tsuyoshi

Japan Zone throws some interesting numbers around about how much Tsuyoshi Kusanagi's late night "let's get crunk" all-nude review is going to cost in terms of lost revenue.

As of Thursday night:

¥50 million = US $513, 985 (approx.) The cost of getting Tsuyoshi alone to promote your product. Also the cost of a SMAP music tie-in.

¥120 million = US $1.234 million (approx.) The cost of getting all of SMAP to promote your product.

¥420 million = US $4.316 million (approx.) The estimate of how much Johnny's will lose with Tsuyoshi going into media exile. (Not including promotional materials.)

¥500 million = US $5.136million (approx.) The estimate of how much Johnny's will lose with Tsuyoshi going into media exile. (Including promotional materials.)

¥5 billion = US$51.36 million (approx.) The estimate of how much Johnny's will have to pay all those companies who wanted to use Tsuyoshi and SMAP.

Yet, I reckon that ¥5 billion could possibly be recouped by the first magazine that gets Tsuyoshi's inevitable mea culpa interview, add on a possible extra ¥100 million if he makes a real serious "confession" during it. (Ex.: "I was secretly in love with Shingo Katori, but he didn't feel the same way.")

Get A Grip, Tsuyoshi

You know, you can read something several times and have it reported as fact by reputable news agencies.



Yet until you see it right in front of your face, you don't quite believe it.



Nakai, I could easily believe. Katori, I could believe. Kimura, probably hasn't done it because he wants money for any pictures. As for Inagaki, he already made an attempt at vehicular homicide...We all know they're quite SMAPed up. (Remember now that the New Kids On The Block, New Edition, and Take That had a decade of relative obscurity to nip any crazy that was about to crop up.)

Yet, quiet Kusanagi going on a nude drunken tear in a park? That's just bizarre, yet there it is on the ABC website being reported by Reuters.

In the interest of full disclosure (and taking a serious risk in terms of my own crediblity): I still think he's quite fit, and if what the Communications Minister said ("I'll never forgive him.") is true, then that's just cold.

So, I have no problem with Tsuyoshi Kusanagi being naked at 3am. Although a city park is a rather odd choice of venue.

Footnote: Get A Grip, Tsuyoshi (Tsuyoshi shikkari shinasai) was an anime from the early 1990s. The titular Tsuyoshi was the put-upon male in a house full of women. (Lest you think harem, the women were his sisters and mother, and they slapped him...often.)



Melbourne gets big

Perhaps not the most important thing in the world, but very symbolic to Australians is this tidbit from The Age:

Melbourne's population is about to hit 4 million, putting it just slightly behind Sydney at 4.4 million.