(As seen from a computer in New York)
2PM: Link started to work. Getting adjusted to the sounds of the sing-song Swedish language.
2:01: Christer Bjorkman (the queen herself) tosses us a quick hello, followed by some pretty impressive graphics. After a flag ceremony, we meet the presenters who look like flight attendants. This is followed up by a pretty funky dance routine and a fortunate costume change for the presenters into a decidedly more chic getup. Ok, the female presenter (Alexandra?) looks a bit like a tiny drag queen, but I won't hold that against her.
The stage: Pretty and very Euro-sparse.
And the Swedes get down to business quickly!
Song 1: Alcazar - AlcastarDear lord, they look like ABBA as superheroes. Ok, this is basically disco-esque fluff, but it's catchy. They can't help but camp this up. Borderline asinine lyrics, but I'll forgive them...for now. "You can be an Alcastar," indeed. (It's better than "Not a sinner, Not a saint" which was their previous Melodifestivalen attempt.)
Song 2: Cecillia Vennerstein - Var Mig Nara (with an umlaut over the first "a")
First and foremost, I am very picky about ballads, so this'll be hard to win me over. Cecillia looks like a green statue during a foggy night. I can't complain about her voice, but this song is SO blah. It sounds like a lullaby (I don't know Swedish, so perhaps that is the intent). If I liked Andrew Lloyd-Webber songs then I'd be happy. But I don't, so I'm not.
Song 3: Papa Dee - My No. 1
Not mine with this reggae pap. He ain't my papa either. Good-looking man of colour performs this total cruise-ship song. Again with the stupid lyrics! "Girl, just hold on tight, etc." Please. Sweden has already had three black women sing for them in 2002, so he doesn't get my symbolic vote.
Song 4: Linda Bengtzing - Alla Flickor
Now that's a surname! If it's her real one, then more power to her. Ooh, how she is starting off-key. This is very standard happy Swedish schlager-pop, but they do it well, so that's no problem with me. She looks like she wants to rock, with her messy hair and her Sgt. Pepper's jacket. I get the sense that she's working real hard at selling it, but it doesn't get me. Good try though.
Song 5: The Wallstones - Invisible PeopleOh god, this is too chirpy for me! Imagine Three Dog Night on "Sesame Street" and you have the idea that they are going for here. One of the guys looks like Harry Shearer's stunt double from Spinal Tap. Lyrically, this is not so bad...UNTIL THEY HIT THE "LA LA LA!" Lawdy, can I sue Swedish Television for sacchrine overload?
Song 6 Pay TV - Refrain RefrainExpose' meets Jem & The Holograms. Seriously. Three girls singing about the cynicism of celebrity. "Getting a hit can be easy as long as you're cheap and sleazy." No lyric issues here! Musically, it's 1989 comes back. The House revolution lives.
Song 7 Nordman - Odet Var Min VagI suspect this is the equivalent of country music for Sweden. The lead singer and his gravelly voice are trying to come across as hard rock with the eyebrow and nose piercings and all-black attire, but alas, it doesn't work. What does the song sound like? Irish pub music, frankly. Appropriately, it sounds like he's about ready to hurl at any given moment. Dire, but admirable. (I get the feeling that if I understood Swedish, then I'd be pissed off at the lyrics.)
Song 8: Shirley Clamp - Att Alska Dig
I like her, if only for her surname. I have no idea how old Shirley is, but she is going for the Ethel Merman-does-disco look (long flowing brown flower print fabric), and oh my goodness, that is some busom on her. She is wrapped in there so tight, that I understand why there is very little choreography for Shirley and her similary costumed backing singers. Sure, it's standard upbeat happy schlager, but the inner diva-fan in me LOVES it. Go Shirley.
It's still going to be Alcazar by a landslide as I see it and hope (with Shirley as #2...the top 2 go to the final...#3 and #4 duke it out on 2nd Chance show).
2:47 Recap of the songs for the voters: Alcazar still campy. Cecillia still bland. Papa Dee working the Terry McMillian fantasy angle (and failing with me). Linda looking like she wants bite a bat's head off. The Wallstones still are too chirpy and make my ears bleed. Pay TV look like The Misfits meet Expose in a dominatrix's parlour. Nordman still caught between styles while trying to hurl. Shirley still a diva. RESPECT!
2:49 "Telefonslussen." Can we import this into American English? I'd like to start saying this on a daily basis. Actually, can we get Sweden to take over our government while we're at it? I want me some social services.
2:51 Somewhat cute male presenter speaking fast and in funny voices. The audience is eating this up. I am just perplexed. This show is quirky.
2:54 Dear lord, Swedish all-stars are the interval. It's a medley and quite a bizarre tragedy. Amongst the songs butchered (visually, not vocally) "Fight for your right (to party)," "Work this groove," "1999," "I'm coming up," "Celebration" and god knows why, but "It's my party." And the choreography is every bit as corny as you can imagine. It's like every bad high school talent show combined with the Swedish version of the "Solid Gold" dancers. Worth noting: Jessica Andersson of "Fame" fame looks like Paris Hilton. Is there a sex tape scandal with her too? (Or perhaps Jessica is trying to crack the American market by posing as an overexposed hotel heir? Paris Hilton
is recording an album from what I've heard.)
2:59 Results. I don't understand Swedish, but Alcazar and Shirley Clamp are named and subsequently freak out in the Green Room. (As are Linda, The Wallstones, and Nordman. Guess which one of those three I can tolerate?) No reaction shot of Pay TV or Cecillia.
3:03 Ok, I think I'm getting the hang of it. They are doing a super final of this semi-final, because they are replaying the performance clips and there are numbers to call. I still loathe The Wallstones and I pray, PRAY, that the Swedish televoters will give this the proper boot it deserves. Nordman gets a minor reprieve, because I want to have a good night of fornication with the lead singer. (Listen, if you saw the way that man handles his microphone...Mmmm.)
3:06 More "telefonslussen." Come on people, let's bring this word into American English!
3:07 Alexandra has some "comedy" bit with a man freezing his gliblets off in Goteborg town centre. Again, I don't get it. Of course, I don't get Swedish films either, so perhaps it's all wasted on me.
3:10 Ruslana is the interval act now. Ok, yes "Wild Dances" deserved to win in Istanbul, but jiminy, can she get herself some new songs? (And not that retread of "Wild Dances" called "Dancing with wolves" that she performed at EMA.) She performs the all-English version of "Wild Dances" and it is almost letter/step perfect from her 2004 performance. At least she fulfills the world's need for women who stomp and dance around in leather to Carpathian turbo-folk. (And that is as catty as I will get about Ruslana, because that ickle girl can crack a whip.) Crowd goes appropriately wild.
3:14 Results part two. (Jeez, is all of Goteborg in the stadium?) Shirley Clamp freaks out in a good way, because I think she's going to the final. (Hallelujah!)
3:16 Shirley performs again. Not that I'm complaining, but, aren't 2 songs from each semi going to the final and 2 songs from each semi going to the 2nd Chance round? If each of these are going to be performed, then this is going to be one long, drawn out results announcement. I have major respect for Shirley managing to still hit that long "ahhhhhh" towards the end.
3:21 Alcazar and Linda make it to the 2nd chance round. (What the hell?) Nordman makes it to the final. (What the double hell?)
3:23 Nordman performs. My libido subsides knowing that this beat out Alcazar into the Final. I'm now going to get drunk tonight in order to cope with this upset. My future fb has mush-mouth during the latter verse. At least Shirley Clamp is in the final.
3:26 "Relight My Fire" is the exit music?! Ok, the Swedes are bizarre. There I said it. I meant it.
3:27 I realise that I will gladly return to this debacle next week, like a moth to the flame.