Things Unfathomable

At one point when I was young and only recently returned to this country, the prospect of a McCain-Bradley presidential race left me perplexed.

At another point, I nearly became a member of the Green Party.

And now, I might seriously be rooting for Serbia-Montenegro, if Ana Nikolic's "Romale Romali" is considered one of the frontrunners.

She looks like Serbia's answer to Beyonce, but better have a better stage show than this from the previews.

The Confused Karaoke Participant

There are tough songs to sing and there are easy ones. One would think "Tom's Diner" would be among the latter, but after the version I heard Sunday night, I think it was kryptonite to a pair of twinks.

Splash-XL Post-Mortem: The Winner

I won! Uh huh, that's right! I won Porn Idol at XL.

Ok, granted it was only me and another guy, but still, I won!

I have Billy Joel, Elton John, a man from Rhone-Alpes, and my parents to thank because if it wasn't for them, it wouldn't have happened.

Why Billy Joel? Well, I was at Splash and debating over whether to stay for one more drink and then the tribute to Elton John at the Kennedy Center Honors came on. Billy Joel started playing "Benny and the Jets" and I knew then and there that I needed to go. (I'm sorry Elton, I appreciate all that you've done, but 90% of your music is dire.)

Why a man from Rhone-Alpes? After I arrived at XL, I struck up a conversation with a Frenchman who used to live in Chicago and he nudged me towards participating in the contest. Apparently the majority of the clientele want to ogle instead of participate since I was the only fresh face in this week's competition. The runner-up had participated during Week 1.

Why my parents? Because if they hadn't gotten a case of Spring fever, and not given birth to me on the 6th of February I wouldn't have had the impetus and the "screw it, it's my birthday month" fortitude to participate.

So what did I actually do? First, I gave an interview and did some porn dialogue. (This made me a nervous wreck, since I'm a playwright that can't think well off-the-cuff.) Then, I stripped. (Again, this made me nervous since I was wearing boxers, and my competitor had on considerably more hotter--for porn--briefs.) Thirdly, I had to put a condom on a banana erotically. (That was actually easy, and really surprised me with how well I can get a condom on using just my mouth.) Finally, I had to do a money shot using a bottle of Dawn. (I got a little too excited with that one, and definitely should've taken my shirt off with that.)

Comrades, it was close, but I won. I won. I won. I won.

Next week, I'm up against the previous four winners and let me tell you, I am nervous as hell. The grand prize is $500. (I won $100 and tickets to see, of all plays, Dog Sees God.)

So, here is tonight's very obvious theme song: "The Winner" from Gundam OO83.

Tuesday Jukebox Says "This Is Hikaru's Video Bar"

I would be very pleasantly surprised if I came across any of these videos in Splash.

• CHEMISTRY meets m-flo - Now or Never

• Another one from m-flo. M-flo loves Emyli & Yoshika - Loop in my heart
  
  

• EXILE - Exit

• And finally, GLAY - Winter, Again

Thank you to all on YouTube who were kind enough to share.

Yet Another Salient Horror

The evil queen himself, Tyler Perry, is now foisting another one of his minstrel shows upon us.

Yet, it's this bit of information that alarms me most.

(Note: Tyler Perry is most definitely not on the celebrity sex list, unless it includes no-holds barred SM.)

Sunday Jukebox: This Is What They Mean By Salient Horror

Silvía Nótt "performing" "Til hamingju Ísland" at the recent Icelandic Semi-final.

And yes, this is supposed to be a joke entry.

The Imploded Narrative

Odd for me to talk about writing here, but February is a month of randomness, so here goes.

I want to point out a plot style that seems to never be utilised often, but should definitely be. You could call it the "imploded narrative."

The way it works is a simple bait-and-switch. The script begins with one storyline and winds up contorting in a million different directions, so that the resolution is on the surface appears to be from a completely different story, yet for the audience who has made the entire journey, it makes sense.

One of the main reasons it is rarely done, is because it takes vast amounts of planning in order to do so. Planning which often runs contrary to carefree spirit required to write dramatic text, but it needn't necessarily be stifiling.

Before I address that aspect, first I'll cite an example of an "imploded narrative:" the seminal anime series Neon Genesis Evangelion. A more thorough analysis of the show can be found at the link, but for purposes of this post, I'm dealing strictly with the show's structure (irrespective of whether or not it is intentionally structured this way).

In its initial episodes, Evangelion appeared to be essentially a "kids fighting monsters with giant robots" show or what's often called "a villian of the week" show. These shows require minimal investment in character development, because basically the interest is in seeing how many cool ways the hero can save the day. Although there were tacit clues at the inner lives of the characters, it was not until midway through the show that the main characters' psychological lives took centre stage. And when they did, the story became more abstract and also more intriguing.

By the show's final episodes, the focus was more on the ongoing psychosis affecting the characters rather than the survival of the human race plotline that the show began with, although both were undeniably intertwined. This is where the old axiom of "show, don't tell" comes in. The latter half of Evangelion incorporated many scenes of monologues, flashbacks, and dreams depicted in both an aural and visual way that the viewer is brought into the psychosis and it is made personal.

All too often many writers--especially playwrights--believe that people will be swept away by monologues and just mere character interaction. Not necessarily.

While good dialogue is critical to any script, it is increasingly difficult to just merely grab an audience's attention with just words and infrequent action. Many think that this should be left up to the director. I believe that to be a sign of laziness. The writer can best serve their work by being willing to go into the fantastical world of dreams and inner reality. Our dreams would not make sense if they occurred in reality as they do in our minds. Likewise, our emotional reactions to traumatic events are not just fainting, laughing, and crying. That is merely surface, inside the reaction is much richer and much more overwhelming than a simple physical act.

The audience, however, does not see that; however, they can. The writer needs to be willing to take their story into the world of abstract to convey emotion, particularly in this day and age where subtext is not enough.

Yet, a story that is completely abstract can be as dull as a story that is completely set in stone-cold reality. This is why I pointed out Evangelion's structure. I feel comfortable in saying that Evangelion would not be as jarring or as stirring if it did not have its initial setup in the familiar. To paraphrase George Orwell, "it played by all the small rules, so that it could break all the big ones." Likewise, think of Thornton Wilder's The Skin of Our Teeth. What keeps us interested in the beginning part of the play is that so much of it is rooted in familiar understandable surroundings, yet at the same time there are many things going on that are quite frankly, absurd.

The current crop of plays (not to mention films and television shows) seem to be more focused on creating these moments that are so deeply set in reality that they kill our connections to the characters themselves. Everything is a situation, and we are never allowed access to the inner lives of characters--even when they are serving as narrator.

That is why, I'd like to suggest that all writers out there start imploding your narratives. Be willing to go into the abstract. Don't be afraid that the audience won't follow you, if you have anchored yourself with enough reality in the beginning, they will come along for the ride.

Meanwhile in Estonia...

The international jury from 10 countries picked Sandra Oxenryd with "Through My Window" to represent Estonia. Ines and the only song in Estonian ("Issendale") apparently came in at a very close second. Ironically (given the controversy in Norway over Swedish entries), Sandra is Swedish.

You win some, you lose some.

Norske Melodi Grand Prix 2006 The Final: Norway In Norwegian Language Shocker

Since it's a special night, there's no schoolmarm from Minnesota announcing tonight's programming. Instead, it's a perky middle-aged blonde woman. Fancy.

Deep voiced man welcomes us to Oslo and the ENORMOUS Spektrum.

Sti comes out and he's wearing a white scarf and looking like a Norwegian Amadeus. Syn is in white and acting like Evita, but looking like a refugee from a Jane Austen novel. This woman must be something else in Norway, because the crowd loses it when she enters.

• Trine Rein - Here for the show

Trine's hair is bigger and her screaming is a little more restrained, but the song...still sucky. She sings "you're my crowd, and you make me pro-o-o-ud." I'm glad I'm not in that crowd.

• Hans-Petter Moen & Kim Arne Hagen - I hear music

Sti says something about '"two men and a guitar," which steels me for the inanity about to reach my ears. NRK's stream keeps on buffering, which I'm taking as a sign that NRK isn't that keen on them either. Actually, the stream itself may not be keen on any of them based on what these qualifiers have been like. Yep, just like thought, this is stupid. Two middle aged men carping on about how "life is a song, so sing along." If I was 8 years old, this might grab my attention, but I suspect even some "barn" are busy shaking their heads in disbelief. The few seconds I got from the stream were definitely enough.

• Tor Endersen - Dreaming of a New Tomorrow

I know he's supposed to be solemn and all that, but couldn't Tor put on something flashier than a blue shirt and grey jacket? He looks like a car salesman after work. Anyway, Tor starts singing his ballad (Lou Rawls shakes his head up in heaven and thinks "I could've torn this up without breaking a sweat.") I actually have to say, I don't really loathe this song, except that it's mawkish as hell and ridicuously dated. It's like Tor just stop believing that time marched on after 1991. Thank god for the stream cutting out after the first few bars.

• Queentastic - Absolutely Fabulous

Priscilla lives! The first actually interesting song of the evening. Now this is dated as well, but it's upbeat and not mawkish, so I don't care. Queentastic manage the not-too-difficult feat of sounding and looking better than Sestre. And what are they like? Well, what would you think a duo called Queentastic would be like? Two drag queens in Moulin Rouge attire name check clothing lines. The girls get a huge response from the crowd. Sti & Syn are overwhelmed. This is a good sign.

• Birgitte Einarsen - Saturday

One dance song followed by another. I'm not complaining since I like both of them. Sti & Syn make note that Birgitte got through via the second chance round. Why? I do not know. She's there, who cares how she got there. Birgitte is still in her kimono outfit, and still performs admirably. She needs to get a handle on her swaying since it makes her look spastic.

• Christine Guldbrandsen - Alvedansen

Christine is still pretty as an angel. The postcard makes her out to be the beloved of all Norwegian people from young to old. That said, she's a little tenuous at first, and her voice isn't as strong as it was several weeks ago. Nonetheless, she knows how to play to the camera. Good for her. The crowd gives her a good cheer, not as much as the reaction for Queentastic mind you.

• Veronica Akselsen - Like A Wind

Since I do not care one shread for this song, I take this time to fiddle around with the stream. When I'm finished, Veronica is nasaly singing her way through this ballad. I can't tell if she's trying to make it country or not. It's not worth using brain cells to ponder this for much more than a second.

• Geir Rønning & Jorun Erdal - Lost and Found

How did the no-hopers cabal wind up with this cushy slot? Sti makes some joke about West Side Story and crowd laughs heartedly. New Yorker is very confused and perplexed. (A sidenote: The Estonian Eurolaul is going on right now, and I suspect that had they organised a webcast, the player wouldn't be buffering like a madman.) Anyway, Geir & Jorun sing and go grammatically all over the place with their "search for lost and found." They could not pick a pair that looks less like Bonnie & Clyde than these two, I tell you. Although Queentastic's song is also of Swedish origin, this song is as Swedish as driving to IKEA in a Saab with a St. Lucia's crown. By the way, Geir looks like a used car salesman singing karaoke.

And it's review time! In summary: Everybody is dire except for Queentastic, Birgitte, and Christine. As I see it, a woman (although not necessarily a biological woman) is going to win this. That's as far as I'm going to go with the prognosticating.

The interval is Wig Wam, of course. Unlike the Slovenes who relegated Omar Naber to announcing the winner and homoerotically hugging Slo-Nick, Wig Wam is given a flaming show. I mean that in the good way, naturally. The lead singer has managed to get his accent in check so that he sings "love is all over me," instead of "love-ist all ovah me."

Ah Wig Wam, you weren't a bunch of Estonian Lindsay Lohan clones, but you weren't half bad.

They perform another song and frankly, I don't see or hear anything different from a 1986 Def Leopard concert, except that these lads look rougher than they did last year. Like too much beer, pizza, and cocaine rough. It works for them.

Back to green room (once the stream starts up again), where Syn interviews Veronica, who is proving herself to come across as a giggling idiot. I sense that even Syn, Miss Whacked Out 2006 herself, is thinking "when do I get to stop talking to this fool?"

Syn does a countdown that I'm assuming is a sign that the lines are closed. This is followed up with "Boogie Wonderland," and I wish someone would explain to me the connection the Scandinavian countries have with 1970's disco and Eurovision national finals.

Anyway, a man is brought onstage and I'm guessing it's because he's got the results. The stream gets really spotty at this point, so I am truly going to grasp at straws here. Or maybe not. I'm thinking they're going for the "superfinal" approach, because the aging children's show singers are back onscreen telling us that they hear music and there are numbers below for voting. Perhaps this means that Trine has been knocked out! Hahahaha.

Christine is brought back. Yikes, I guess that means that Queentastic and Birgitte have also been knocked out. On the upside, this probably also means that Tor has also gotten the boot. Therefore, the third slot must be going to either Veronica (please lord, no) or the no-hopers cabal (ditto). Christine, girl you had better sing like you have never sung before!

And the third slot goes to the no-hopers cabal. Thank god for the stream cutting in and out so that I don't have to hear them in full yet again.

So there are your choices, Norge: The daft children's show performers, Miss Angel of Norway, and the no-hopers. I'm hoping the beauty pageant queen beats the other 4 soundly.

On the upside, 2 of the 3 superfinalists are at least all Norwegian efforts.

Wait a second, there's a fourth slot and Queentastic gets it! There is hope. Of course, this now makes the superfinal half-Norwegian and half-Swedish. Nonetheless, this is at least a better Swedish entry than the no-hopers cabal.

All you Norwegian queens better vote your fingers off for these two or Christine.

Queentastic are breathy, but they certainly make up for it with energy and enthusiasm.

Review time again. This time only half of the songs are horrid. The other two are vastly better. Do I need to say which is which at this point?

A tech sidenote: In order to finally get the stream to last more than a minute, I have switched from 241 kbps to 36 kbps. This actually is not that bad, I have to say.

Interval #2: It's a Eurovision anthem medley as performed by perky blondes and brunettes. Well, we are in Norway and Sweden is only a stone's throw away. Sti & Syn said who they were, but I didn't catch who they were, so I'm calling them Norske Alcazar. It's all the standards you'd expect, including "Diva" performed as a group piece. Who would've thought that "Every Way That I Can" has already reached the level of standards? Likewise "Wild Dances?" By the way, it is very bizarre to hear a man sing that song. Good lord, they are now singing "My Number One," with a male lead. I'm taking this as a sign that Queentastic is going to take this.

Sti & Syn bring out a man with the results again. This time to the tune of "He's the greatest dancer." Oh yes, that is what they played. They give him the title of "the undefeated champ of Norwegian Melodi Grand Prix." Uh huh.

And here come the results.

I won't attmept to explain how she won, but Christine basically wins it despite very strong showings by the children's show duo and Queentastic. There's some booing from the crowd, but it looked like it was a hard fought and well-deserved vote. To her credit, Christine looked calm and collected throughout the results while the children's show duo basically lost it, especially the one in the cardigan who--well I'll be honest here--queened out more than Queentastic.

To be honest, I'm very happy with this result. Queentastic would've been a good winner, but at least Norway is showing that they aren't afraid of actually singing in Norwegian. It also helps that Christine sings superbly and that this is actually that rarest of things: a good ballad. Interestingly, Christine's voice is noticeably better this time around.

I think Norway might stay in the final for 2007 with this, though they had better not translate it otherwise it will not stand out at all. Not to mention, Ireland will probably get Brian Kennedy singing the same thing in English.

Norske Melodi Grand Prix 2006 Second Chance Round: Quick and Dirty

Technically this was the actual semi-final (with all the previous rounds being qualifiers), but it's February and I'm cutting myself some slack this month.

I didn't see the whole thing, but just the tail end. After some snooping around, here are two songs that made it:

• Brigitte Einarsen: Saturday
• Veronica Akselsen: Like A Wind

So a happy dance tune and a crappy ballad, both of which were performed last week.

What. A. Shock.

Hopefully, the latter will fall on its face (along with Tor Endersen's dirge and the no-hopers cabal of Geir & Jorun) tomorrow. I also hope that the hackneyed "Here for the show" will be shown how weak it is, because as I see it, the song just squeezed in due to the extra performance.

Then again, this is the land of Jahn Teigen.

At this point, Queentastic or Brigitte had better win this.

Could Somebody Please Say "No?"

It's a rainy Friday morning and quite honestly the last thing I want to see is a bunch of frumpy heterosexual couples on the Today show getting engaged.

First off, let's just delve into the hypocrisy at work here. Gay couples can get married in Massachusetts (possibly even Maryland soon enough) and "civil unioned" in Connecticut and Vermont so you could at least include some. Don't give me that nonsense about a "makeover" ruse, because as many television shows before you have proven, men get makeovers as well.

Secondly, (and this pales in comparison to the first point) why don't any of these women say "no?" Odds are that somebody doesn't want to get married, so how come it's never shown on any of these live programs? I want to see some dejection and rejection! Not everybody wants to get married. Ask Joy Behar and several of the women in my family.

Finally, why on Earth do the men have to be the ones who propose all the time? It's the 21st Century, haven't gender relations progressed to the point where it doesn't matter who proposes?

At least Mother Nature agrees with me at the relative inanity of this whole Sweeps stunt.

If I Was A QTN Network Executive

...I would figure out ahead of time about how to handle live programming--without having to lay off all the 1099 workers for a fortnight.

You people still owe me a show.

Thursday Jukebox Hears Loneliness in Capitalism and Sounds in Necklaces

Before I start off this week's jukebox, I'm just going to rant a bit at the pocket queen in the jockstrap who blocked me from my locker today.

1. If your gym accoutrements take up 75% of the bench, then you are clearly taking too much with you.
2. Don't look at me with some snide look because I said "excuse me" in a soft voice.
3. I can squash you without breaking a sweat.
4. Outside of pornography and late night workouts, I doubt that you'll pick up Mr. Right Now in a flimsy jockstrap.

That is all, reckon I. On with the show.

First off is Justyna Steczkowska's "Sama" from Dublin 1995. It may not seem easily apparent, but a reading of the lyrics are a comment on capitalist excess and the isolation that it brings out in the ordinary person. As you can probably guess, this is an anthem in my home, and yes, I like it even down to the screeching she does towards end. (You've got to have serious pipes to pull that off.)

Finally, Maarja-Liis Ilus & Ivo Linna perform "Kaelakee Hääl" at Oslo 1996. The title translates as "the sound of a necklace," which really makes no sense, especially since the sole necklace on display could barely register any sound whatsoever.

Now this is a duet between a teenage girl and a man old enough to be her grandfather.

And they are singing about longing for one another. And wanting to kiss.

I don't want to but a certain indelicate spin on this, but...well...ew.

Several funny things to point out in this one:

• The Estonian David Hyde Pierce clone on keyboards.
• Maarja's sudden decision to start singing with her teeth together during the bridge.
• They never seem to make any eye contact at all, as if they know that there's a squicky subtext to this song and really just want to get through with it.
• Maarja tries to turn this is into a soul song with her bopping, but it's just not going to happen.

They Had Better Be Snowy

According to some archaic but fun tradition involving a groundhog in Northern Pennsylvania, we've got 6 more weeks of winter. First off, I have to say that those men in top hats take their damn time in actually saying anything. Secondly, as Jodi Applegate rightfully pointed out, "when have you ever heard of winter ending early in Northern Pennsylvania?"

And then there were the countless jokes one can make about Mike Woods and "Goobler's Knob," but they didn't and I have to just entertain myself with them.

Splash-Stonewall-XL Post-Mortem: Certain Things I'd Like to Forget

Warning: This is going to be graphic.

Let me start this out by saying what literally happened this morning:

I woke up in a pool of my own vomit.

I don't know how this happened, because normally vomiting is such an unpleasant experience that I would assume that I would be awake and aware that I need to be in the bathroom. Not to mention that since I can only assume that I did this in my sleep, that it is a wonder that I'm still alive and not dead...having choked on my own bile.

The funny thing is that this was supposed to be a light night. Just a few drinks to get me out of the apartment while The State of the Union address was on. I even remember how many I had: 4 Coronas at Splash, a White Russian and a Black Russian at The Stonewall, a Corona and 2 "X-rated coolers" at XL. Finishing that all off with some cheese fries.

Using my amateur sleuthing skills (which are minor), I can come up with only a few theories:

1. It was the Russians.
2. It was the cheese fries.

Considering that the taste is still in my mouth, I'm leaning towards #2.

I've never said that it was pretty being me.

By the way, Splash had a video montage of Brokeback Mountain with Lyle Lovett's cover of "Stand By Your Man." I don't know what to make out of that.

Now This Is What I Mean By Avantgarde!

(in respect to EMA entries)

This is Jadranka Juras performing "Anima" at EMA 2005. Alas, she was screwed over in the voting.

Making Sense of Dreams

Assume that dreams are basically the unconscious mind's way of interpreting reality.

What does dreaming that one is the male spouse of an anchorman in the throes of a tempestuous marriage mean? And when all of a sudden one finds himself dreaming that he's a co-producer of a BMX bike road show? Not to even mention the quick transition into 1980's rock ballad singer.

Feel free to post your own in the comments section.

And It's Starting Again

Sometimes I wonder about Eurovision fans. I think we're a fun, caustic group, but there's some serious naivete going on. Case in point: I'm already getting referrals for Slo-Nick's naked photos.

Listen, the lad's cute and vastly improved from his Clay Aiken days, but seriously, I don't think any naked photos are going to surface. Follow Dr. Ruth's advice and use the biggest sexual organ you have--the one above the belt.

EMA 2006 Review: Camp Slovenia

I know I had previously stated I was a going to do a full review of this year’s EMA, but I am truly EMA-ed out, so how about a partial review?

This year the hosts are two men I’m calling Jan and Aljo. Jan’s drag outfit makes him look like a low-rent version of Bette Davis in All About Eve. Aljo is dressed like a refugee from a Dickens novel. One of the benefits of watching this on archive is that I get to skip over their painfully unfunny shtick. I get it, you’re doing Slovenia’s version of Keeping Up Appearances. Just get on with it.

Frankly, I want Peter Poleš back, because…well, he reminds me of Ryan Reynolds: funny and sexy simultaneously.

Anyway, onto the songs.

• Nuška Drašcek – Nora sem, da te ljubim

Short-haired woman in a dress that is partly secretarial, partly couture sings a midtempo pop song. EMA is notorious for having mediocre songs in the opening slot and this is no different. (The last rousing opener I can remember was Tinkara Kovac back in 2001.)

• Natalija Verboten – SOS

Oh boy, this is…um…dire. I’m thinking that the subtitle for this year’s EMA is Camp Slovenia, because between Margo and Tom Brown doing the presenting and the entries, the camp factor is astronomic. So, Natalija (who really should win one of these days just because of her surname) is wearing a Mad Hatter’s Hat and coat. She is joined by multi-coloured backing singers and a man on rollerblades. The overall effect is “Brazilian Children’s Show on Acid,” especially since the set this year incorporates two huge white sculptures that look like drops of semen. The chirpiness of “SOS” doesn’t change this one iota.

• Rebeka Dremelj & Domen Kumer – Noro se ujameva

More chirpiness this time from sparkly and scantily-clad Rebeka and her more conservatively dressed backing singers and the suit-coated Domen and his tank-top wearing muscle boy dancers. Domen looks like he’s cleaned up since his last EMA appearance, as does Rebeka. (Last year, she ran around dancing in a wig.) It still looks like something from a high school talent show. A very liberal high school’s talent show.

• Sergeja – Tu da du

Sergeja is dressed like Ruslana, but is singing a syrupy sweet song so there’s a clear disconnect with the costuming department if you ask me. Sergeja is the best dressed entrant so far, and yet she’s given the most insipid song so far. I’ll give her credit, though, she most certainly puts her heart, soul, and go-go boots into performing the living daylights out of it. The poor woman is this year’s sacrificial lamb. (And she was, this song got zip.)

• Saša Lendero – Mandoline

Last year Saša sang about butterflies in an outfit that said “look at my breasts.” This year she’s singing about mandolins in an outfit that says “look even closer at my breasts.” There’s even an instrumental break for her and her female & male backing singers/dancers (including the feline looking mastermind behind Croatia’s 2003 entry by Brit—I mean Claudia) to shake their chests at the camera. I don’t know what to make out of Saša. She’s a decent singer, and scored high with the viewers (I can think of 2 reasons why), but she’s just so…bland. I don’t know how dressing up like a belly dancer can come across as banal, but somehow she does it. By the way, Saša, if you read this, please do your breathing exercises before you go onstage.

• Andraž Hribar – Rapad tepe ipi mapam

My Slovene is very minimal, but there is no way that title translates to “I love you.” Anyway, here is the first of tonight’s two ballads. (Thank god. This is why I love EMA, 14 songs and only 2 ballads.) Arguably even more than Omar Naber, Andraž looks and performs like Robbie Williams. He even sounds like him as well. After several EMA performances under his belt, I’m beginning to think that he just doesn’t care anymore. Why? Well, having two women do some contortions on the floor while you’re singing is an odd way to attract people to vote for your song.

• Marijan Novina – V mojih dlaneh

Marijan is also an EMA vet, in fact, I think he’s been popping up each year since 2003, except for last. After somewhat cleaning himself up in 2004, he’s letting his very long hair down this time. Just like Andraž and his ballads, Marijan does rock and rock ballads, and isn’t about to go off of that path. Fortunately, he’s got a good one this year. Much to my surprise, the man can really sing harmony. In fact, the backing singers seem to be dragging him down rather than the other way around. One day, you’ll win, Marijan. Just not this year, or probably next.

• Atomik Harmonik – Polkaholik

Anything I had said previously about Atomik Harmonik sounding like the insane fusion of “polka and The Offspring” I take back. It’s more like the insane fusion of polka and Alcazar. Two peppy blond women in 1950’s drive-in diner outfits, and two men dressed in white—one of whom is wielding an accordion, sing. I cannot believe a song that opens with “I’m sorry baby, I’m a polkaholic” was considered one of the entries to beat. Scary.

• Maja Slatinšek – Vihar

I also take back my slam of “Vihar.” It’s not a dull ballad, it just starts out like one and then goes midtempo. Maja, however, is dressed like she’s going to the prom not competing for the chance to go to Athens. Maja certainly sings her heart out, but she’s ultimately upstaged by two dancers with big ratted Eighties hair and dresses that sway back and forth. I was half expecting them to start singing “Material Girl” at some point.

• Ylenia – Hokus Pokus

This was the surprise entry of the night for me. The song sounded so bland during the previews, that I was shocked at how much I liked it. Imagine Stevie Nicks performing early Madonna. Ickle blonde Ylenia sings the hell out of it, while giving the camera looks that kill. Not to mention the staging! It seems like every EMA has one or two entries that seem to have staging right out of avant-garde theatre. This is the one for 2006. It’s Ylenia in a gold strapless dress and four men all dressed in black (her backing singers are in near floor-length coats to boot). They hoist her up in the air, dip her, lean on her, and Ylenia never loses the camera or her—well, I’m going to call a spade, a spade here—fierce look on her face. It would likely not do well in Athens, but boy she deserved higher than she got.

• Anžej Dežan – Plan B

So the hirsute twink with the spiky hair won the lot, probably because he managed to be campy and yet slightly sophisticated at the same time. Natalija Verboten set the camp level so high that I doubt no one else could reach it, but Anžej came pretty damn close. This man is like Slovenia’s version of Deen, although I don’t even think Deen could even sprout facial hair. Anyway, it’s so-so dramatic upbeat synthy song, but Anžej sells it well, so congrats, even though he really has the jury disliking the breasts that performed “Mandoline” to thank for his victory. Oddly enough, Anžej has the worst backing singers of the night in terms of singing. They’re pretty capable with dancing, though. I don’t know if this twink has already got an inflated sense of himself, but I found it strange that he just walked off the stage immediately after singing instead of waiting for his backing singers/dancers or at least pausing for a bow.

• Katrinas – Najdi Me

This was the other avant-garde theatrical entry of the evening, and the theme here seemed to be “look at our sleeves as we try to sing on-key.” Out of Katrinas’ 3 EMA entries so far, this is easily the weakest. They barely sing together, the song only gets interesting during the pan-flute instrumental break, and the two fan dancers in the back are just distracting.

• Monika Pučelj – Ostani Z Mano

Irene Grandi lives! It still sounds like “Crazy for you” sped up with heaps of guitar, but god help me I loved it. Monika wears some sort of purple and white stripped blouse and shorts combination, which makes her look like an aging tomboy. That said, she does her best vocally and energetically. I can’t stress the latter enough. Monika was running around the stage like somebody gave her Meth-laced Red Bull.

• Alenka Godec – Hočem Stran

Alenka was Alenka, if her last two EMA performances were anything to go by. You will not she her running across the stage like those other girls. No way. Alenka is going to strut and she doesn’t care what you think. Appropriately, she’s in a black pantsuit, which combined with her very powerful singing voice gives her even more gravitas. Unfortunately, here is the reverse of what happened with “Hokus Pokus.” You’re expecting some Tina Turner or even Beyonce-style quick struts across the stage and some kicks, and you don’t quite get it. She’s definitely there vocally, but visually it just falls a bit short. She deserves to win it next year. Great song though.

So as we all know now, the bearded twink won it, courtesy of the jury liking him and snubbing the breasts and the polkaholics. (The televoters and the SMS voters gave the breasts-that-performed-Mandoline 12 points, and the polkaholics 10.) Considering that the jury gave Ylenia 10 points, Monika 8 points, Andraž 7 points (the only points he got), and Alenka 3 points, perhaps I should join the jury for next year’s contest.

EMA 2006: The End Result

Well, I had hoped to watched all of EMA live, but RealPlayer and TV Slovenia's feed seem to suggest that waiting for it to be archived would be the smarter decision. At least I got to see who won: Anžej Dežan with "Plan B."

It's not a bad song, but it's a bit blah, to be honest. Starts out slow and then goes into full out pop overdrive. It's by the same group that came up with "Energy" in 2001.

What salvages it is that Anžej performs it as absolutely, totally over-the-top camp. I'm talking hand waving, hip thrusts, spastic movements, the whole nine yards.

What about Anžej himself? Well, he's definitely male or a pretty good drag king because he's sporting a beard, faux-hawk, and looks pretty hirsute. Think Nick from Project Runway. As I think Nick is very attractive, this is not a bad thing.

I have to mention one very interesting thing though. When Omar Naber announced that Anžej (who I'm really thinking of nicknaming Slovenian Nick or "Slo-Nick" for short) won, the two of them had quite the long embrace. Now, I realise that they were 1st and 2nd on Slovenia's Pop Idol, but that was some embrace. That was the sort of embrace that you give somebody you've slept with (and liked it), or at least want to. I'm not saying they did--because I frankly don't know--but that's what I looked like to me.

After Nuša Derenda in 2001 (Slovenia's answer to Kylie Minogue) , Sestre in 2002 (drag queens-as-flight attendants), and Karmen Stavec in 2003 (bitchy and synthy in pink), and Omar Naber (Robbie Williams goes Balkan), Slo-Nick seems a rather natural progression for Camp Slovenia.

Full review (complete with grumbles over how Alenka Godec and Monika Pučelj got screwed over) as soon as EMA 2006 gets archived.