(You know where to find them.)
Netherlands: It's a live performance, but not necessarily the "Songfestival" one. For some strange reason, the announcer speaks in Dutch accented English as he announces La Rombley. Lots of close ups, and the crowd looks like they are into it, but include me as part of the group that said she should have kept it in Dutch, as the performance lacks a certain something. La Rombley, like La Karolina
(but interestingly enough, not like The Diki) suffers from comparison with her previous entry which was much more energetic and grabbing.
Norway: MGP performance, so I guess NRK is pinching pennies. In the hands of Geri Halliwell, this might be a cute camp tune, but Guri
(who is very polished and very theatrical) performs this too earnestly. I'm with the Thomas Lundin
(the Finnish Swede curmudgeon of the Nordic panel) who said that with all talent in Norway, why would they pick a Latin knock off tune written by a Swede? It's too calculated and premise to be all that enjoyable.
Poland: Are we already in the first stages of an early 90s revival? Jiminy Cricket! Anyway, The Vengaboys...I mean, The Jet Set
(A Brit & A Russian representing Poland) seem to be doing two songs that are smashed together with no rhyme nor reason. The first one is 20s patistche, the other one is something from the La Bouche back catalogue. No real story here in the video except that we must see Sasha shake her busom as often as possible, and David must show as much sternum and arms as possible
(not that I'm complaining about the latter). Now, Charlotte "Amanda LePore" Perrelli was calling this "porno shock," but it's relatively tame in my view.
(If you could handle Like A Virgin, then this is a piece of cake.) That said, it's not all that interesting to watch--although more interesting than the 2 which preceded it.
Portugal: National final performance.
(RTP cash-strapped, surely you jest?) I've read up on this style of music
(pimba) and apparently it's all double entendres. So Sabrina is asking the viewers at home to sleep with her and have a good time.
(Not as witty as proclaiming that you're a doll of wax and sound who likes lollypops, but mildly sly.) The Nordics trashed the dress, but, let's be honest here, Rita Guerra is the only Portugese entrant who was stylish, and at least Sabrina isn't as poorly dressed as Nonstop were in Athens. Up against Norway, this is the better "Latin" song, because it is genuine. As for the staging...well, there needs to be something added beyond Sabrina swaying her arms and the dancing couple in the background. I mean, why can't Sabrina interact with the dancers?
Romania: I hate this song. I really really hate this song. I hate it even more now that it's the first one in this lot to have an interesting video. Anyway, the Mondos do a good job of incorporating the lyrics with images on the screen
(Earth, newspaper graphics, images of the UK for the English portion, italian iconography for the Italian parts, etc.). Dammit, this video is good, but why does it have to be such an acrid song?
Russia: From complete fusion of song with video to none at all. The disconnect between the song and the video is rather appropriate here since I really believe the Silver Girls have ABSOLUTELY NO IDEA what they are singing about. It's a bunch of lights, silhouettes, and close-ups. Doing the most of the work is Gappy Silver who seems to sing everything by herself save for the chorus, while Blonde Silver, and Jennifer Love Hewittska Silver pout in the background.
(Cushy jobs.) Nonetheless, if you are singing about money and lesbian anal-sex double entendres, then you could at least show something other than moody looks at the camera. Since I like the song and video
(even if it is nonsensical), I rate it slightly higher than Romania.
(Do you think The Mondos could pull off that Justin Timberlake dance break with the same panache? I don't think so.) Video #1, it isn't quite.
Serbia: Aka the song that most of the OGAE fanclubs are going crazy for
(and I have no idea why). Beovizija performance
(if RTCG sprang for a video, then you could too, RTS). Now, let's examine the elements here: a bunch of circus performers in the background cavorting about, and woman singing wearing a pink Ramones t-shirt. Apparently Marija thought "I Wanna Be Sedated" should be taken literally
(or else she has NO IDEA what The Ramones sounded like). As I have said often on this piece of the internet, I think ballads should bleak, depressing, and make you feel that life is not worth living. Lyrically, with lines like
"it seems I'm losing my mind/as I don't even notice reality/I still love you/I still trust you blindly" this ought to be right up my alley. So why isn't it? Marija is performing it too perky and optimistically as if she's Little Orphan Annie waiting for the sun to come out. Perhaps the staging is supposed to represent her psychosis, and Marijia is channeling Natalie Wood in the penultimate scene from
Inside Daisy Clover, but nonetheless, there's a big disconnect between the performer and the text here.
(At least The Silver Girls have a glimmer of realisation that they are supposed to be sexy. Does Marija know that she's supposed be crazy? Is she not looking at the absurdity all around her?) Oh well.
Slovenia: Sex! Opera! Sex! Opera! Before I launch into this review, I would like to take a moment to congratulate the Slovenes on always coming up with great videos that are as good
(cf. 2001 and debatably 2003) or better than
(cf. every year other than 2001 or 2003) the song themselves
(except for 2004 where they they took the easy way out). Much to the Nordics' horror, this video pulls no punches in getting the message across as to what Alenka means when she's talking about her Southern flower
(It's like the polar opposite of the Russian video when you think about it.) : Alenka is in that post-coital mode when you have experenced such great ecstasy and are looking forward to "next round," but know that it will be a long wait until it happens again. I think it's quite tasteful, personally, without being tawdry. The video, however, is several notches above the song itself.
Spain: I guess we really are in a 90s revival, since D'NASH
(D'What?) have a video that seems to be straight out of the New Mickey Mouse Club. I'm trying to figure out the connection between the security cameras and the black & white colour scheme, but I reckon there is none. Now here is a masterclass on how to pull off sultry looks without looking like you're sleepy (
are you taking notes Silver Girls?). The D-boys float around, dance around, shake around, and skip around while professing their love to some unknown being.
(Gay vague, these guys know which strengths to play to.) It's not as powerful as it could be, but given that the performance at the final promises throw everything but the kitchen sink at the audience
(although I hope they lose the damn string), I hold out hope. Mildly effective video though.
Sweden: You must be kidding me! SVT didn't kick in for a totally new video? Oh that's just wrong all over. What we have is clips of The Ark's MF-ing performance interspersed with backstage clips of what life is like when you're a successful Swedish band.
(The lesson here: it takes A LOT of work to make Ola Salo glam.) Now that I've heard
Love Grows Where My Rosemary Goes, the simularities are very...interesting, if I can be a bit diplomatic about it.
(Personally, I wish they had been more influenced by Vehicle, but that's just me.)
Switzerland: Here's someone who expects to do well on the charts
(if not the scoreboard, though I think it's totally making it to the final) based on the video. Bobo is not a good looking man, and yet, you could completely buy him as a vampire. The video is very very lush and expensive
(it damn well better be since since this is Switzerland). That said, it is pretty much a literal translation of the song, which in this particular case, is the only viable option: Bobo is a vampire, Bobo is out for new blood, Bobo proclaims Vampire pride, Bobo's vampire posse has a dance break in the streets. One question, why is Bobo getting sole billing when the woman singing the chorus does a fair amount of heavy lifting as well?
Next time: T is for Turned Out, U is for Unique.